Public Collections

  • American Telephone & Telegraph, New York, NY
  • Aterrana Foundation, Vaduz, Liechtenstein
  • Brooklyn Union Gas, Brooklyn, NY
  • Bankok Art and Culture Center, Bankok, Thailand
  • Champion Paper, Stamford, CT
  • Dannheisser Foundation, New York, NY
  • Detroit Institute of Arts, Detroit, MI
  • Eastern Center of Art and Culture, Chomburi, Thailand
  • Solomon R. Guggenheim Museum, New York, NY
  • Hood Museum, Dartmouth College, Hanover, NH
  • Housatonic Museum of Art, Bridgeport, CT
  • Laumeier Sculpture Park, St. Louis, MO
  • Margulies Foundation, Miami, FL
  • Metropolitan Museum of Art, New York, NY
  • MIT, List Visual Art Center, Cambridge, MA
  • Museum of Contemporary Art, Chicago, IL
  • MoMA, Museum of Modern Art, New York, NY
  • Nevada Museum of Art, Reno, NV
  • Newark Museum, Newark, NJ
  • The New School, New York, NY
  • New York Public Library, New York, NY
  • North Dakota Museum of Art, Grand Forks, ND
  • Orlando Museum of Art, Orlando, FL
  • PECO Energy, King of Prussia, PA
  • Phoenix Art Museum, Phoenix, AZ
  • Portland Art Museum, Portland, OR
  • Ringling School of Art & Design, Sarasota, FL
  • South Dakota Art Museum, Brookings, SD
  • The Frances Young Tang Teaching Museum & Art Gallery at Skidmore College, Saratoga Springs, NY
  • Walker Art Center, Minneapolis, MN
  • Weatherspoon Art Museum, Greensboro, NC

Selected Solo Exhibitions

  • 2018 CAS Arts Center, Carol Hepper, catalog with essay by Dr. Oliver Shultz, interview by Patterson Sims, and introduction by Sally Wright
  • 2012 Park Avenue Armory, Installation in the Field and Staff Period Room, curated by Kristy Edmunds, New York, NY
  • 2011 Yellowstone Art Museum, Carol Hepper: Inside the Between, curated by Robert Manchester, catalog with essays by Elanor Heartney and Dr. Leda Cempellin, Billings, MT, traveling to South Dakota Art Museum, Brookings, SD
  • Callicoon Fine Arts, Strong Language
  • 2008 Galeria Ramis Barquet, A Part Together, catalog with poem by Michael Coffey, New York, NY
  • 2006 Elizabeth Leach Gallery, Carol Hepper, Selections 1996-2005, Portland, OR
  • 2004 Coastal Carolina University, R. Bryan Art Gallery, Translucency, brochure with essay by Will Hipps, Conway, SC
  • 2003 Burapha University, University Library,, Andaman Sea, Chonburi, Thailand
  • 2002 Maryland Institute College of Art, Decker Gallery, Carol Hepper: Translucency and Light, curated by Will Hipps, brochure with essay by Will Hipps, Baltimore, MD
  • 2000 Williams Center For the Arts, Lafayette College, Williams Center Gallery, Reverse Osmosis,, curated by Michiko Okaya, catalog with essay by Stuart Horodner, Easton, PA
  • Hopkins Center, Dartmouth College, Jaffe-Friede & Strauss Galleries, Wet Paint, catalog with essay by Nancy Princenthal, Hanover, NH
  • Frederieke Taylor Gallery, Strange Island, New York, NY
  • 1999 Elizabeth Leach Gallery, Portland, OR
  • 1998 Soma Gallery, LaJolla, CA.
  • 1996 PICA (Portland Institute for Contemporary Art), Portland Paintings, residency and open studio, catalog with essay by Kristy Edmunds, Portland, OR
  • Hill Gallery, John Duff and Carol Hepper, Birmingham, MI
  • 1995 Orlando Museum of Art, Skin/Deep, curated by Sue Scott, brochure with essay by Sue Scott, Orlando, FL
  • Mississippi Museum of Art, Works in Progress, curated by Rene Paul Barilleaux, Jackson, MS
  • Elizabeth Leach Gallery, Portland, OR
  • 1994 Hartman & Company, LaJolla, CA
  • Michael Lord Gallery, Milwaukee, WI
  • 1993 Galerie Waltraud Matt, Eschen, Liechtenstein
  • Hill Gallery, Birmingham, MI
  • Margulies Taplin Gallery, Carol Hepper, Sculpture, Wesley Kimler, Paintings, Boca Raton, FL
  • 1992 Worcester Art Museum, Insights: Carol Hepper, curated by Donna Harkavy, brochure with essay by Donna Harkavy, Worcester, MA
  • Dennos Museum Center, Traverse City, MI
  • Hill Gallery, Birmingham, MI
  • 1991 Rosa Esman Gallery, catalog with essay by John Howell, New York, NY
  • 1989 Rosa Esman Gallery, New York, NY
  • Vaughan + Vaughan Gallery, Minneapolis, MN
  • 1988 Rosa Esman Gallery, New York, NY
  • Hill Gallery, Birmingham, MI
  • 1987 Dahl Fine Arts Center, brochure with essays by Cynthia Nadelman and John Day, Rapid City, SD, traveling to University of South Dakota, Brookings, SD
  • 1984 South Dakota State University, Ritz Gallery, Brookings, SD
  • 1982 P.S.1 / Institute for Art and Urban Resources, New York, NY

Performance

  • 2000 The Kitchen (Premiere Performance), Island, a collaborative project with dancer/choreographer Molissa Fenley, New York, NY, traveling to Williams Center for the Arts, Lafayette College, Easton, PA., Raymond S. Kravits Center, West Palm Beach, FL.

Selected Group Exhibitions

  • 2017 Bangkok Art and Culture Center, Crossing the Dateline, Bangkok, Thailand
  • 2016 Newark Museum, Abstracting Nature, Newark, NJ
  • Kunstraum, Liminal Lyrics, curated by Hedwig Brouckaert, Brooklyn, NY
  • 2015 Burapha University, Eastern Center of Art and Culture, Inspire, an exhibition in conjunction with the International Research and Creative Works Conference, Chomburi, Thailand
  • 2013 Wave Hill, Glyndor Gallery, Tandem Pursuits, Armor & Ichthology, Bronx, NY
  • 2012 Stedelijk Museum Schiedam, Collectie Piet en Ida Sanders: Een leven met kunst, Scheidom, The Netherlands
  • New School University, Shiela C. Johnson Design Center at Parsons , Things That Go Bump, Sculpture from the New School Art Collection, curated by Silvia Rocciolo, New York, NY
  • Rooster Gallery, Fictitious Truths, Exercises in Realism, curated by Kara L. Rooney, New York, NY
  • 2011 University of California, University Art Museum, GOLDMINE: Works from the Collection of Sirje and Michael Gold, curated by Christopher Scoates catalog with essays by Christopher Scoates, Long Beach, CA
  • Dallas Art Fair, Callicoon Fine Art, exhibitors, Dallas, TX
  • 2010 North Dakota Museum of Art, Shared Histories, Grand Forks, ND
  • 2009 University of North Carolina at Greensboro, Weatherspoon Art Museum, Cool, Collected & In Context, curated by Xandra Eden, Greensboro, NC
  • 2008 ARCO 2008, Galeria Ramis Barquet, exhibitors, Madrid, Spain
  • 2007 Nevada Museum of Art, Enigma; Absence + Presence in Contemporary Art, curated by Ann Wolfe, Reno, NV
  • North Dakota Museum of Art, Introductions: Artists Self Portraits, Grand Forks, ND, traveling throughout North Dakota until 2008
  • 2006 Amherst College, Mead Art Museum, Some Assembly Required, curated by Trinket Clark, catalog with essay by Trinket Clark, Amherst MA
  • University of Rochester, Memorial Art Gallery, Extreme Materials, curated by Maria Via, Rochester, NY
  • North Dakota Museum of Art, Land and Spirit, Grand Forks, ND
  • 2005 Portland Institute for Contemporary Art, Landmark, catalog with essays by Kristy Edmunds and Stuart Horodner, Portland, OR
  • Marlborough Chelsea, L.C. Armstrong, Carol Hepper, Francisco Lerio, Carrie Moyer, Rick Siggins, Steven Talasnik, curated by Kim Wauson, New York, NY
  • Elizabeth Leach Gallery, 2D from 3D; Contemporary and Historical Drawings by Sculptors, Portland, OR
  • 2003 North Dakota Museum of Art, Bugs and Such, curated by Laurel Reuter, Grand Forks, ND
  • Frederieke Taylor Gallery, A Tenth Anniversary Exhibition, New York, NY
  • 2002 University of Massachusetts, Amherst, Mead Art Museum, Fairchild Gallery, The Belles of Amherst: Contemporary Women Artists in the Collections of the Mead Art Museum and The University Gallery, Amherst, MA
  • 2001 Bucknell University Campus, Sap Green, outdoor installation curated by Stuart Horodner, Lewisberg, PA
  • 2000 University of Massachusetts, Amherst, Fine Arts Center, University Gallery, Abstract Notions: Selections from the Permanent Collection, Amherst, MA
  • 1999 Boca Raton Museum of Art, The Artist as Collector: The Collection of Francie Bishop Good and David Horvitz, Boca Raton, FL
  • University of Rhode Island, Fine Arts Center Galleries, Elusive Traces, curated by Judith Tolnick, brochure with essay by Judith Tolnick, Kingston, RI

Lectures, Panels and Workshops

* indicates videotaped lecture

  • 2012 Yellowstone Art Museum, Gallery discussion in conjunction with Carol Hepper: Inside the Between, Billings, MT, traveled to South Dakota Museum of Art, Brookings, SD
  • 2010 Vermont Studio Center, Visiting artist lecture and studio visits(and 2009, 2007, 2005, 2003), Johnson, VT.
  • North Dakota Museum of Art, Shared Histories, panel discussion with participating artists; Tim Schouten and Keith Berens, Moderated by curator/ museum director; Laurel Reuter, Grand Forks, ND
  • *South Dakota Art Museum, Public lecture and South Dakota State University student seminars, Van Zante Visiting Professorship in the Visual Arts, Brookings, SD
  • 2006 Mead Art Museum, Amherst College, Gallery talk in conjunction with Some Assembly Required, Amherst, MA
  • Maryland Institute College of Art, Rinehart School of Sculpture, visiting artist (and 1988), Baltimore, MD
  • North Dakota Museum of Art, Gallery talk in conjunction with the opening of Bugs and Such, Grand Forks, ND
  • 2000 Maryland Institute College of Art, Public Slide Lecture and gallery talk in conjunction with Translucency and Light, Baltimore, MD
  • University of California, Davis, public lecture and weeklong workshop
  • Lafayette College, Williams Center for the Arts, slide lecture in conjunction with the Detwiller Visiting Artist Fellowship, Easton, PA
  • Hopkins Center, Dartmouth College, Public Lecture in conjunction with the exhibition Wet Paint, Jaffie Fried and Strauss Galleries, Hanover, NH
  • 1998 *17th International Sculpture Conference, Laumeier Sculpture Park, Chicago IL., panelist, moderator: Dr. Beej Smith, Director; other panelist: Patrick Dougherty
  • *South Dakota Memorial Art Museum, South Dakota State University, Public lecture and student seminars, Van Zante Visiting Professorship in the Visual Arts, Brookings, SD.
  • 1997 *National Academy of Design, an artist panel discussion moderated by Brendan Gill in conjunction with Community of Creativity: A Century of MacDowell Colony Artists, New York, NY
  • *Aldrich Museum of Contemporary Art, public lecture in conjunction with In the Flesh, Ridgefield, CT
  • 1995 Ringling School of Art and Design, public lecture, studio visits printmaking workshop (produced artists’ book: Hot and Cold Running Water), Sarasota, FL
  • Freedman Gallery Center for the Arts, Albright College, panelist in conjunction with In the Flesh, moderator: Jill Snyder, other panelists: Harry Philbrick and Jack Whitten., Reading, PA
  • Cranbrook Academy of Arts, public lecture in conjunction with John Duff & Carol Hepper at Hill Gallery, Bloomfield Hills, MI.
  • *Portland Art Museum, public lecture in conjunction with The Third Dimension, Sculpture and Culture, Portland, OR
  • *Orlando Museum of Art, public lecture in conjunction with the exhibition Skin/Deep: Carol Hepper, Orlando, FL
  • 1994 Ringling School of Art and Design, public lecture & sculpture workshop, Sarasota, FL.
  • 1993 Portland Art Museum, public lecture in conjunction with Material Identity: Sculpture between Nature and Culture, Portland, OR
  • 1992 Portland State University, public lecture and studio visits, Portland, OR
  • Worcester Art Museum, public lecture and workshop in conjunction with Insights: Carol Hepper, Worcester, MA
  • Cranbrook Academy of Arts, public lecture & studio visits, Bloomfield Hills, MI.
  • Center for Creative Studies, public lecture in conjunction with solo exhibition at Hill Gallery, Detroit, MI
  • 1990 Brandeis University, public lecture and studio visits, Waltham, MA
  • University of Colorado, public lecture and studio visits, Boulder, CO
  • 1989 Walker Art Center, public lecture in conjunction with Material Matters: Permanent Collection Sculpture since 1980, Minneapolis, MN
  • University of Massachusetts, public lecture & studio visits, Amherst, MA
  • 1988 Rhode Island School of Design, public lecture & studio visits (1986 and 1987), Providence, RI.
  • Williams College, public lecture, Williamstown, MA
  • Women’s Sculpture Conference, panelist, ‘Art outside of the Museum’, Cincinnati, OH.
  • Valencia Community College, public lecture and week-long residency, Orlando, FL
  • University of South Dakota, public lecture in conjunction with solo exhibition in the University of South Dakota Galleries, Vermilion, SD
  • 1984 South Dakota State University, public lecture & studio visits, Brookings, SD
  • 1983 University of North Dakota, public lecture, Grand Forks, ND

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